I create abstract compositions through a process of hand dyeing, screen printing, and surface design, building a visual vocabulary before the act of composition begins. Each textile carries its own history of marks, color, and texture, becoming both medium and subject. Using cloth as a substitute for paint, I allow the material itself to shape the work, bringing together gesture, structure, and intuition in equal measure.

Grounded in the principles of design, my practice investigates the relationships between shape, line, proportion, figure-ground tension, repetition, hue, value, and rhythm. These elements form layered compositions where harmony and disruption coexist. An unexpected or slightly elusive visual relationship often becomes the point of entry—an element that resists immediate resolution and invites sustained looking. The work reveals itself slowly, asking the viewer to remain with it as shifting relationships emerge across the surface.

My studio practice is a process of listening. Each decision is guided by an ongoing dialogue with the materials and by an inner voice that continually searches for balance, beauty, and meaning. I am interested in the space where intuition meets formal structure, where complexity gives way to moments of clarity, and where disparate elements begin to speak to one another in quiet visual poetry.

The search itself is the work. Every composition becomes a record of looking, listening, and responding—a layered exploration of both the material and myself. Through textiles, I seek to create works that transcend function and invite contemplation, offering spaces where curiosity is rewarded, perception deepens, and beauty unfolds over time.